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Wells' The Red Room and Farthing House by Susan Hill
All of these elements--a dark and foreboding room where a family member died, the color red, ghosts and phantoms, and the romantic gothic scene of rain on the moors--are Gothic and predict future Gothic locales and themes in the plot....
'The Red Room' is in many ways a stereotypical ghost story, set in a very big, dark and mysterious building, a castle in the middle of nowhere, written as a first person narrative....
The Red Room is based on a gothic horror story.
Suspense is created because of the story being in the first person because the audience doesn't know any more information than the narrator who is visiting the red room.
At the beginning of The Red Room the author creates tension by having the narrator straight away in a scene which is unusual to him, he is in a dark old room with old people who are mostly disfigured and slightly other...
'The Red Room' and 'The Cone' were both written by H.G.
Wells wrote science-fiction novels such as 'The first men in the moon', but he also created 'The Red Room', written in 1894, which was based on Gothic Horror.
The Victorians were very interested in Gothic Literature and this is shown especially in the ‘Red Room’, where Wells borrowed applications such as ghosts, castles and supernatural beings.
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The Red Room is a short story which is written by H.G Wells.
In conclusion, I have only to remind the reader of the humble rank to which this volume lays claim. It is but the essay of an amateur, designed chiefly for those who have not made architecture their study. No man can be more sensible than myself, of its defects; yet, well knowing the want of some plain and simple directory of the kind, I lay it upon the altar of utility with the hope that it may be found acceptable to some of my brethren, and save them from many of those perplexities which commonly attend an attempt to erect the earthly sanctuary of God. With regard to credit, emolument, or reputation, I may well apply the adage, 'Happy is he that expecteth nothing, for he shall not be disappointed.' To supply the wants of the Church, in any and every department within my power, is the main business of my life; and if I have succeeded in this design to any reasonable degree, my labor will not have been in vain.
The Signalman and The Red Room are both Victorian stories....
THE principal figure in this plate represents a perspective view of a design for a Gothic Church, with an octagonal steeple, instead of a tower. The top of the steeple is not shewn, but a ball and vane is the usual and appropriate finish. In this design the windows are in a single row, and not doubled, as in Plate 6. And therefore this design is better, because it accords with the principle set forth in the first chapter; viz, the giving force to the perpendicular line, as far as practicable. The building at the end, is a vestry room, which agrees with the style of the main building, and the window above is to throw light into the chancel, over the altar, where the plan laid down in Plate 6, No. 9, is preferred. In such case, however, the window over the altar should be either filled with stained glass, or covered with a transparency, to subdue the light; for otherwise it would pain all but the strongest eyes in the congregation.
' The Red Room ' is written by H.
Wells Makes The Red Room Succeed as a Ghost Story The key to any ghost story is to build up tension and drop it slightly before lifting it back up to keep the reader interested.
Wells: ‘The Red Room’ and ‘The Cone’
"Farthing House" was written by a female author, Susan Hill in 1992, while "The Red Room" was written by the famous H G Wells in the late 19th Century.
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