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However, the similarities between the song and poem are astonishing.

While they do not use a direct interpretation of the lyrics in their music videos, Of Monsters and Men uses the symbolism of a phoenix and a group of mythical monsters to bring forth the overall message of their song; the power of hope when a loved one is struggling with a mental disease.

Many reggae lyrics are politicalised and centre on themes of freedom and fighting for it.

The year is 1959, a pivotal moment in American cultural history, when rock and roll was giving birth to the Sexual Revolution and everything in America culture was about to be turned upside down. Record companies were releasing more than a hundred singles every week and the country was about to explode. , generally considered a trivial little musical about The Fabulous Fifties, is the story of America’s tumultuous crossing over from the 50s to the 60s, throwing over repression and tradition for freedom and adventure (and a generous helping of cultural chaos), a time when the styles and culture of the disengaged and disenfranchised became overpowering symbols of teenage power and autonomy. Originally a rowdy, dangerous, over-sexed, and piece of alternative theatre, was inspired by the rule-busting success of and shows like it, rejecting the trappings of other Broadway musicals for a more authentic, more visceral, more radical theatre experience that revealed great cultural truths about America.

Alfred Prufrock Essay: In Depth Analysis

Lyrics can simply be seen as words of a song, but it is possible for lyrics to tell a story.

Songwriters may quickly scribble words down on a piece of paper or have a melody running in their head, with the anticipation that those sounds and words will turn into lyrics for a song.

At the surface the song is seemingly harmless with a cheery rhythmic beat and catchy lyrics, but when examining the song and accompanying music video, Blurred Lines is anything but harmless.

This essay shall explore the elements of two versions of one song.

Many people are offended by his lyrics and they believe that he should be regulated in some way.

Feeling/Tone * What literary devices are used?
* How does their use affect the meaning of the song?

Example: Consonance is the repetition of consonant sounds.

This I Believe is an international organization engaging people in writing and sharing essays describing the core values that guide their daily lives. Over 125,000 of these essays, written by people from all walks of life, have been archived here on our website, heard on public radio, chronicled through our books, and featured in weekly podcasts. The project is based on the popular 1950s radio series of the same name hosted by Edward R. Murrow.

With each of the four stages I will use song lyrics to help analyze these stages.
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How does rap music affect attitudes toward domestic violence.

This song is also a great example of the craftsmanship of the songs in this show. Far from being merely tribute or parody, they are well written theatre songs. The lyric for "Mooning" contains some smart, sly, internal rhymes:

This essay is about song analysis.

However, if told that these words were sung by a female vocalist, and preceded by the lyrics “I can’t change, even if it tried, even if I wanted to,” suddenly the words have meaning as a woman sings of her love for another woman (Haggerty, Lewis, Lambert, 2102).

However, to a musician there's a lot more to it.

But the song also tells us that Kenickie doesn’t really know much about drag racing or about customizing cars. A true drag racing enthusiast knows that the accessories Kenickie dreams of don’t all make sense together. For example, the "four-barrel quads" refers to a carburetor, but a car with fuel injection (as in his "fuel injection cut-off") doesn’t have a carburetor – those two things would not be on the same car. And no one would chrome-plate connecting rods; chrome-plating was just for show and nobody can see connecting rods on a car. And though palomino leather was popular for car interiors, no one would put palomino leather on a dashboard. Finally, a kid in 1959 would make his car look good go fast; no kid had the money to do both (although you could argue that this just a fantasy). In fact, a drag car that looked good was the sure sign of a driver who wasn’t really serious about racing. It’s safe to assume that Kenickie probably knows very little about cars or drag racing, which gives this lyric far more complexity, humor, and character detail than it seems.

But notice the lyric that Sandy sings:

The next song, "Freddy My Love" is the show’s female doo-wop number, with a lead melody and rich harmonic back-up, closely based on "Eddie My Love" by The Tea Queens, while also slyly parodying The Shirelles’ "I Met Him on a Sunday" and Ronnie Spector’s "Be My Baby," reinforcing old female stereotypes while also undermining and revising them. The driving triplet accompaniment here was a common beat in early rock and roll, invented by Fats Domino for "Every Night About This Time." They’re living in the 1950s, but these are women of the 60s. The idea of the other girls becoming back up singers for Marty shows us how much they love the girl doo-wop groups, an entirely new phenomenon at that moment that would become huge in the 60s. The Ronettes were the first "slutty" girl group to make it big singing rock and roll. They were what the girls wanted to be (to get the guys) and what the guys dreamed about getting. "Freddy, My Love" is a song about early feminism, about women being sexual and aggressive. But it’s also about the materialism of the 1950s, a mindset in which money is better than sex, and gifts are the only true expression of love. And the idea of Marty singing to a guy stationed in Korea references the fact that Elvis was still in the Army overseas at this point, a sad fact for many teenagers.

Song Analysis Essay by Kristin McQuillan on Prezi

Now that the characters are established and the plot is underway, takes a moment with "Those Magic Changes" to explore the show’s central themes, to underline the importance and centrality of music in this story and also in the show’s social commentary. Closely based on Paul Anka’s "Diana" and its distinctive bass line (you can actually sing "Magic Changes" to "Diana"), it also includes those distinctive falsettos vocal ornaments that pay homage to songs like The Diamonds’ comic doo-wop hit, "Lil Darlin’." Doody starts off solo, then the girls join in, then the boys join in, then two of the boys take off on those falsetto riffs, giving the whole song the tang of improvisation, as if these kids are just fooling around between classes. This is part of what gives such a unique feel, unlike almost any other musical.

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