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Criticism essay glass interview writings
Closely connected to such fields as philosophy, history, sociology, and law, CRT scholarship traces racism in America through the nation’s legacy of slavery, the Civil Rights Movement, and recent events. In doing so, it draws from work by writers like Sojourner Truth, Frederick Douglass, W.E.B. Du Bois, Martin Luther King, Jr., and others studying law, feminism, and post-structuralism. CRT developed into its current form during the mid-1970s with scholars like Derrick Bell, Alan Freeman, and Richard Delgado, who responded to what they identified as dangerously slow progress following Civil Rights in the 1960s.
Gender studies and queer theory explore issues of sexuality, power, and marginalized populations (woman as other) in literature and culture. Much of the work in gender studies and queer theory, while influenced by feminist criticism, emerges from post-structural interest in fragmented, de-centered knowledge building (Nietzsche, Derrida, Foucault), language (the breakdown of sign-signifier), and psychoanalysis (Lacan).
Criticism Essay Glass Interview Writings
Feminist criticism is concerned with "...the ways in which literature (and other cultural productions) reinforce or undermine the economic, political, social, and psychological oppression of women" (Tyson). This school of theory looks at how aspects of our culture are inherently patriarchal (male dominated) and "...this critique strives to expose the explicit and implicit misogyny in male writing about women" (Richter 1346). This misogyny, Tyson reminds us, can extend into diverse areas of our culture: "Perhaps the most chilling example...is found in the world of modern medicine, where drugs prescribed for both sexes often have been tested on male subjects only" (83).
Therefore, a critic working in gender studies and queer theory might even be uncomfortable with the binary established by many feminist scholars between masculine and feminine: "Cixous (following Derrida in Of Grammatology) sets up a series of binary oppositions (active/passive, sun/moon...father/mother, logos/pathos). Each pair can be analyzed as a hierarchy in which the former term represents the positive and masculine and the latter the negative and feminine principle" (Richter 1433-1434).
Criticism essay glass interview writings;
Psychoanalytic criticism builds on Freudian theories of psychology. While we don't have the room here to discuss all of Freud's work, a general overview is necessary to explain psychoanalytic literary criticism.
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Taking an ecocritical approach to a topic means asking questions not only of a primary source such as literature, but asking larger questions about cultural attitudes towards and definitions of nature. Generally, ecocriticism can be applied to a primary source by either interpreting a text through an ecocritical lens, with an eye towards nature, or examining an ecocritical trope within the text. The questions below are examples of questions you might ask both when working with a primary source and when developing a research question that might have a broader perspective.
Feminist Criticism Essay | Bartleby
Several scholars have divided Ecocriticism into two waves (Buell)(Glotfelty), recognizing the first as taking place throughout the eighties and nineties. The first wave is characterized by its emphasis on nature writing as an object of study and as a meaningful practice (Buell). Central to this wave and to the majority of ecocritics still today is the environmental crisis of our age, seeing it as the duty of both the humanities and the natural sciences to raise awareness and invent solutions for a problem that is both cultural and physical. As such, a primary concern in first-wave ecocriticism was to “speak for” nature (Buell 11). This is, perhaps, where ecocriticism gained its reputation as an “avowedly political mode of analysis” (Gerrard 3). This wave, unlike its successor, kept the cultural distinction between human and nature, promoting the value of nature.
Critical essays on glass menagerie. Cand merc thesis
Lastly, he states that once the author is dead and the Modernist idea of singular narrative (and thus authority) is overturned, texts become plural, and the interpretation of texts becomes a collaborative process between author and audience: “...a text is made of multiple writings, drawn from many cultures and entering into mutual relations of dialogue...but there is one place where this multiplicity is focused and that place is the reader” (148). Barthes ends his essay by empowering the reader: “Classical criticism has never paid any attention to the reader...the writer is the only person in literature…it is necessary to overthrow the myth: the birth of the reader must be at the cost of the death of the Author” (148).
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At its most basic level, reader response criticism considers readers' reactions to literature as vital to interpreting the meaning of the text. However, reader-response criticism can take a number of different approaches. A critic deploying reader-response theory can use a psychoanalytic lens, a feminists lens, or even a structuralist lens. What these different lenses have in common when using a reader response approach is they maintain "...that what a text is cannot be separated from what it does" (Tyson 154).
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