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notes on blood meridian | Download eBook PDF/EPUB

It seems doubtful whether this be the production of Galen, although he did write one on the urines, as he mentions in his first commentary on the humours. That the ancients generally thought more on the subject of this discharge, and attended to it more uniformly and critically than is now done, cannot be doubted; and that many indications, &c., framed on the discharge, either as to colour, density, or tenuity, and other points, were well founded. It must be admitted that we fail greatly, by our almost total relinquishment of its inspection, whilst we sedulously attend to the discharges from the bowels, the stomach, lungs, &c. If these are required, why not also, in a greater degree the inspection of that fluid, which comes freighted with so large an amount of saline and other matters secreted from the blood, and freeing that important fluid from some of its most injurious contents. Why has this occurred? And from what period may this solecism be dated? It may be difficult to respond to these questions. Possibly, the dignity of the Profession was humbled, by the empiric extension of this subject of inquiry, in the hands of the so-called water doctors, who regarded the urine as the sole register to be examined in respect to the patient! In laughing those rogueish medicasters out of countenance, the regular members have occasionally received some rubs, which seem to have caused a perfect obliviscence that the urine was a secretion from the blood; and an excrement whose discharge from the system was of infinite consequence. Its saturation and super-saturation with saline matter, that could find no exit from the circulation except through the kidneys; and the evil to be apprehended from its retention, to the system at large, or to particular parts; conspire to prove that it was deservedly considered of the highest importance by our patient and indefatigable forefathers in medicine! and that, although they may have overdrawn the subject, it is not the less deserving of our favour and protection.

blood meridian | Download eBook pdf, epub, tuebl, mobi

I esteem it an important part of our art, to be well acquainted with the best writings that have reached us on the subject; for he who is thus informed and properly employs his knowledge, cannot, in my opinion, make many mistakes. Now, he should know the constitution of the different seasons of the year and of diseases accurately; and of diseases individually—the good or bad of each, either as depending on their own peculiar character, or on the existing state of things; the signs that announce their duration and danger; of chronic diseases, which are salutary; and if acute—which are dangerous, which safe. He should know from these how to judge of the order of critical days, and to predict from them the event; and deduce his rules as to the proper regulation of diet, as to time, amount, and quality. It is of the highest import to the welfare of a patient in ardent fever, that the disease and every thing connected with it, should be consistent with its nature; for what depends on natural laws, is salutary. A second and not less important circumstance is, the concurrence of the season with the disease; for the nature of man is not superior to the power of the universe. After this, we are to notice the general appearance of the patient; if the face is extenuated; if the vessels of the hands and in the angles of the eyes, and the eyebrows are quiescent, after having been previously active; if the voice is weaker and softer; the respiration less frequent and laborious than before;—in such a case, a remission will occur the following day; and hence the importance of attending to every circumstance connected with crises. Examine the tongue, whether its body or tip is furred or moist, and in what degree. If all these signs are but slight, a change for the better will occur probably on the third day; but if more strongly marked, the succeeding day, or even the same day, when they are of the highest grade. The white of the eye, moreover, is necessarily rendered dull when the disease is violent; when brilliant, it is a sign of health, and indicates its approach in proportion as its brilliancy is restored.

The Road Critical Essays - University of Ibadan

Blood pressure was chosen because it is a critical physiological function and a fundamental indicator of well being (Fullbrook 1993).

If Blood Meridian (1985) had been the unexpected hit movie of the year and the kid interpreted by a romantically tormented heartthrob, John Sepich's Notes on Blood Meridian would have been its ultimate fan guide, complete with cast biographies, director's notes, and production details. As a meticulous student (the book started as a master's thesis when Sepich was a graduate student at the University of North Carolina) and later an accomplished scholar, John Sepich offers his insight and detailed research to the less knowledgeable reader. He crafts a book that will delight the McCarthy specialists, who will appreciate the heavy footnotes, as well as any American literature undergraduate, grateful to Sepich for making Blood Meridian a more accessible book than many would have expected it to be.

As Sepich makes clear in his revised preface, Notes is an unpretentious book which aims only at giving a proper overview of the historical material available to McCarthy as he wrote Blood Meridian: "what McCarthy saw in the Southwest's mid-nineteenth century journals, narratives, diaries" (xix). Sepich gained such knowledge through his comprehensive research and his privileged phone conversations with McCarthy himself. Notes covers a very wide spectrum of subjects; it offers detailed real-life biographies of Blood Meridian's main characters (his findings on John Joel Glanton are amazingly extensive), studies the different sources and settings that McCarthy uses in the novel, [End Page 182] and presents published records of the massacres described in Blood Meridian. It also brilliantly studies how the themes are intertwined and presents many thematic concordances within the book, an endeavor Sepich undertook for all of McCarthy's western novels with fellow scholar Christopher Forbis (all are available on Sepich's Web site: ). Sepich tells us that through Blood Meridian McCarthy "confronts critics who found his earlier books excessively grotesque with a well-researched—yet not less grotesque—historical novel," for history lies at the core of McCarthy's Blood Meridian as deeply as it resides in Sepich's Notes (117).

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his preface to this treatise, Haller tells us that Galen appears to have thought it genuine, since he wrote a commentary upon it, or else upon another that has been lost. Mercurialis considered it doubtful, since ancient critics mostly repudiated it. To me, says Haller, it seems genuine, and the production of the writer of the treatise, “De Locis,” for we find in it the same alternating superiority of bile and pituita, that is there depicted. It also contains some things that are to be found in the first Epidemics, a book that is undoubtedly genuine; as well as some aphorisms, the same to a word, as in the book under that title. It possesses, moreover, the brevity of Hippocrates; for we find the names of things alone, without the slightest comment. It commences with a theory of the humours, and of their various tendencies. It briefly rehearses the signs of diseases, and the common rules of practice; notices the critical days, and the power of different ages, years, and winds, and affords examples of metastases from the Epidemics.

We will now take notice of what is requisite in the study and practice of his profession. In order to excel, it is essential to be careful in the choice of a teacher. Those who give instruction, usually have every thing requisite about them. They ought to be careful in the location of their dwelling, that it should not be incommoded by the wind or sun, to the injury of the sick. Too strong a light, though not felt by the physician, is painful to the sick, and detrimental to the sight; the meridian sun ought to be carefully guarded against, and the light should rather be admitted from the opposite side. The seats of the patients should be of proper dimensions. No ornaments of brass about them; such are only adapted for the instruments; in any other respect they should be considered inappropriate. Good and pure water for drink should be provided for the sick, and the towels should be clean and soft. For the eyes, soft linen is employed, and sponges for wounds; the property they possess of swelling up, renders them very useful. All the instruments ought to be well made for use, as respects size, weight, and finish. In regard to external applications, such as compresses, bandages, plasters, and cataplasms, the greatest attention should be paid to their accurate adjustment, especially when they are to be of long continuance. The removal of dressings, and their renewal after washing and cleansing wounds, is soon done; the thing to be chiefly attended to, is as to the frequency of this, for much depends on acting correctly herein. As to bandaging, two things are essential, that the pressure should be on the appropriate part, and not be unduly tight. Attend also to the temperature, for the impression of the air is at times to be guarded against. He must also be acquainted with those weak parts, that will not bear too strong a pressure. Pay no regard to those intricate bandages that are more ostentatious than useful; they are superfluous, and often injurious. It is not ornament, but utility that is required. With respect to operations, either by the knife or by cautery, they demand both promptitude and caution, for both at times are proper. When a single incision is required, do it quickly; for, as cutting is attended with great pain, we must make it as short as possible; but when accurate dissection is necessary, it must be slowly accomplished, since, if too hastily effected, the pain is continual and severe, whilst some intermission of it is experienced by the former proceeding. Of instruments, it may be stated, that large or small knives are not to be indiscriminately employed. In the body are parts from whence the blood flows largely, and is not readily arrested, as from varices, &c. Small incisions here are proper, and give us the means of more ready restraint, whenever it may be necessary to allow its discharge, but in parts not dangerous, nor attended with hæmorrhage, large knives may be made use of, and the blood will be evacuated, which would not otherwise be the case. It is disgraceful in the surgeon not to effect properly the intention he had in view.

Essay on 'Blood Meridian' by Cormac Mc Carthy
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Novelists and Novels: A Collection of Critical Essays …

Should however this book be critically examined, it will be found, continues Haller, to contain things [many!—] that do not tally with present experience, such as the affirmed connexion between the diseases of a people and their habits and winds. Waters from earthy sources are preferred to those of rocky origin; and some subjects are singularly admitted, that are altogether undeserving of credit, yet which are apparently fully believed by the writer; particularly respecting the effeminacy and impotency of the Scythian nobles, together with the absurd treatment of the complaint, by section of the veins behind the ears! It treats cursorily also of the Amazons, and of the custom of burning off their right breast, in infancy, together with some other curious facts and speculations.

Essays and Criticism | The University of Texas Press

The distinction of primary from sympathetic affections constitutes much of this book. Archigenes is again attacked, and his observations on the loss of memory are critically examined, and his mode of treatment is pronounced to be absurd. This leads to a consideration of the origin of the nerves; and many of the diseases that are dependent on their presence, as convulsions, epilepsy, and others, are cursorily noticed and explained.

Essays on blood meridian - Custom paper Help

For a discussion of Valéry’s poetics, see Beardsley, Aesthetic Inquiry: Essays on Art Criticism and the Philosophy of Art (Belmont, CA: Dickenson, 1967), 179–83.

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