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Othello is the story of love, deception, and power....
There are many different ways to prove something, some more affective than others; having a person simply tell you something is true or false does not always do the job, but in simplistic matters it may be all they have to work with....
Iago plays on Othello's insecurities about Desdemona, and gets Othello to believe, through insinuation, that there is something going on between Desdemona and Cassio. Othello seizes on this, and Iago works at building up his suspicions. Soon,...
“Othello is unique among Shakespeare's great tragedies.
Jorgensen describes the general in Othello: Though scarcely the “barbarian” (1.3.353) he is called, the Moor is emphatically black, probably rough, even fearsome, in appearance, and a foreign mercenary from Mauritania in refined Venice....
Everyday people use proof as a part of reason; it has been used to turn a hypothesis into a theory, a rumor into fact, without proof we would have nothing.
Iago, a good friend of Othello, is not who he appears to be....
The source of Othello comes from Girald Cirthio’s Tall of the Moor, considering the modification of a few details, this was a manifestation of Shakespeare’s ability to take a reputable story and elevate it into poetic tragedy (Cahn 106).
Iago then plays on Othello's insecurities about Desdemona, and gets Othello to believe, through insinuation, that there is something going on between Desdemona and Cassio. Othello seizes on this, and Iago works at building up his suspicions. Soon, Othello begins to doubt his wife, as Iago lets his insinuations gain the force of an accusation against her. Othello begins to voice his insecurities when it comes to Desdemona, and himself as well. Desdemona enters, and they have a brief conversation; Othello admits that he is troubled, though he will not state the cause.
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The beliefs of adultery involving Othello and
Desdemona asks the clown where Cassio is, and the clown goes off to fetch him. Desdemona is looking everywhere for the handkerchief, as she knows that her losing it will upset Othello greatly. Othello enters, and asks for Desdemona's handkerchief; she admits that she does not have it, and then Othello tells her of its significance and alleged magical powers. Desdemona does not like Othello's tone; he seems obsessed with this object, and Desdemona is so frightened by him that she wishes she had nothing to do with it. She interrupts Othello's inquiry by bringing up Cassio's attempt to get back into Othello's favor; Othello becomes angry, and storms out. Desdemona and Emilia both note that Othello is much changed; he is unkind and seems jealous, and they are suspicious of the change in him.
This behaviour is heavily contrasted with Othello’s
What makes Othello a successful tragedy is the way that Shakespeare establishes pity for Othello throughtout the play, even in his lowest moments as a character, and it is the lack of this in Tis Pity She’s A Whore that means the audience loses any sense of pathos by the end of the play....
For example, Othello defeats Venice's enemies.
Antigone, although she is a woman, contains all of the aspects that are required for her to be the main character and a feminine heroine which is seldom seen however there are certain traits, in which are required of a tragic character found in her role....
Others believe that it is Antigone because the play bears her name.
A ruler who believes and insists that his word is final when it deals with anything under his jurisdiction, meets a match in Antigone, the daughter of the former ruler of Thebes before he parted unto the other side....
Othello was of a different race and did not fit in with her family.
There has been accusations made against Othello, so in a room filled with signors, masters, the Duke, and Brabanzio, Othello has a strategy of battlement in his own way....
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